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Monthly Screenings

Easy Riders, Raging Bulls: Part 2

We have curated a program of 18 films representing the period, one of the most influential in cinema history - Hollywood of the 1970s, or New Hollywood. More precisely, the cinematic period is limited in a historical perspective between 1969, with the breakthrough of Easy Rider, and 1980, when Raging Bull hit the screens. The films of this period were challenging, in concept and form, innovative in the way they dealt with complex issues such as the Vietnam War, mental health, drugs, and sexuality, and were so different from the films made up until then under the traditional American studio system. Influenced by the French New Wave and the works that came to the screens from Europe in the 1960s, they appealed to a younger and more self-aware audience, the rebel generation disillusioned by the war, who sought representation on the big screen for the dilemmas they were preoccupied with. The studios recognized the economic potential and produced many of the most important films of those significant years.
1970s Hollywood was daring that saw a vast change in who controlled the message and visibility of the film. Instead of the conservative studio managers, those who took control were young new directors with an artistic vision, who spoke in a free and intense cinematic language, dealt deeply with questions of morality and belonging, were anti-establishment in their approach, and were the voice that the youngsters wanted to hear. This is also the audience that the studio managers wanted to reach. So a synergy was created that resulted in the creation of significant films, led by their creator.

The Conversation

Dir.: Francis Ford Coppola
| 113 minutes

A surveillance expert becomes personally interested in a case and finds himself involved with a murder. As always with Coppola, something in his cinematic syntax, pace, and emotional momentum, captures the eye and ear. The result is spellbinding, stimulating, and exhilarating.  

Badlands

Dir.: Terrence Malick
| 95 minutes

In a small town in South Dakota, Kit falls in love with Holly, a 15-year-old high school student. But her father doesn’t approve, so Kit shoots him, burns their house down, and the two go on a bloody, Bonnie and Clyde style retreat. 

M*A*S*H

Dir.: Robert Altman
| 118 minutes

A field hospital in the middle of the Korean War, with a series of unforgettable characters and scenes. M*A*S*H holds some of the trademarks of its genius director: fluid camera, rich soundtrack with plenty of talkative ramblings, a narrative structure that relies on unhinged and humane moments.

Mean Streets

Dir.: Martin Scorsese
| 110 minutes

In the streets of New York's Little Italy, four young men aspire to be gangsters, loan sharks or just plain hoods. Scorsese's third film established him as one of the most important directors of his time, and deservedly so.

American Graffiti

Dir.: George Lucas
| 110 minutes

Highly entertaining, insightful mosaic about youngsters "coming of age" after high-school graduation in 1962. Even from a distance of five decades – American Graffiti is still a most enjoyable treat that launched the careers of Lucas, Dreyfus, and Howard.

Hard Times

Dir.: Walter Hill
| 93 minutes

During the Great Depression in New Orleans, a not-so-young man with a mysterious past finds himself in boxing rings. He and the other thugs who fight bare-handed are the objects of bets from blue-collar workers. Hard Times is a grim parable about America.

Dog Day Afternoon

Dir.: Sidney Lumet
| 130 minutes

On a blisteringly warm day, a duo of bank robbers gets stuck with hostages without knowing what to do with them, as the bank is surrounded by the police force, bloodthirsty mobs, and the media. Dog Day Afternoon is considered one of the best films of the 1970s.

Coming Home

Dir.: Hal Ashby
| 127 minutes

While her husband is deployed in Vietnam, Sally volunteers with veteran soldiers. There she forms a strong connection with a veteran with a handicap. When her husband returns, no one will be the same again. This is a dense melodrama about love and its obstacles.

Big Wednesday

Dir.: John Milius
| 120 minutes

A farewell from the 1960s, in which we follow three west coast surfers for ten years. John Milius explores manhood, which is displayed in a series of flawed models that need to grow up, and captures a cultural phenomenon that defined an entire generation.

All That Jazz

Dir.: Bob Fosse
| 122 minutes

Joe Gideon lives his life to the fullest as a demanding director invested in several projects and chasing one woman after the other. Bob Fosse flexibly moves between the various plotlines and consciousness. The result is a cinematic, fast-paced, and immersive spectacle. 

Raging Bull

Dir.: Martin Scorsese
| 129 minutes

A vivid look at the middleweight champion, Jake LaMotta, whose personal battles always presented his greatest challenges. This is Scorsese at his best,  a film that presents the brutality, violence, and mercilessness New York.