Sunday | 10.11.24

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Monthly Screenings

New Films

Call Jane

Dir.: Phyllis Nagy
| 121 minutes

In the late 1960s, a privileged white woman approaches Call Jane to help her get an abortion that is illegal and is swept into the Women’s Rights Movement. In this triumphant drama, the script is full of twists, the acting is superb, and the plot is thought-provoking and heartfelt. 

Lunana: A Yak in the Classroom

Dir.: Pawo Choyning Dorji
| 110 minutes

Struggling with his profession as a teacher, Ugyen is sent to Lunana in northern Bhutan for his final year of training. With a warm welcome, the local children try to win him over but they do not have much time.

Triangle of Sadness

Dir.: Ruben Östlund
| 142 minutes

Models Carl and Yaya are navigating the world of fashion while exploring the boundaries of their relationship. The couple are invited for a luxury cruise with a rogue gallery of uber-rich passengers. At first, everything appears Instagrammable. But a storm is brewing ahead... 

The Son

Dir.: Florian Zelle
| 122 minutes

Peter and Beth's married life is thrown into crisis when Nicholas, Peter's 17-year-old son from his marriage to Kate, requires special care due to his fragile mental state. Florian Zelle (The Father) presents a moving and stirring drama.

Karaoke

Dir.: Moshe Rosenthal
| 103 minutes

The world of Meir and Tova, a middle class couple in their 60’s, is shaken up when Itsik - a pleasure seeking bachelor with a fondness for karaoke - moves into their building, causing a stir in their lives.

White Noise

Dir.: Noah Baumbach
| 136 minutes

Adapting Don DeLillo’s 1980s novel, Noah Baumbach captures the rising tensions between a couple when a toxic cloud approaches and the presence of death becomes palpable. In a stylized style, Baumbach continues to explore the strains of family life and apprehensions about life and death.  

The Menu

Dir.: Mark Mylod
| 107 minutes

A meal in an elite restaurant served to a dozen diners gradually develops into an adventure that is not clear if and how you get out of it. “This deliciously savage comedy from director Mark Mylod makes every bitter mouthful count” (Screen Daily).