My little sister, Racheli, is an artist confined in her studio, each piece of her jewelry is a "masterpiece" that is hidden in a drawer, not worn and not sold. When she openly shares with me her feelings of paralysis and existential despair, I convince her to set up a stall in the artisan market in Tel Aviv, and offer to accompany her with the camera. For me, this is an opportunity to break free from my obsessive pursuit of Tinder, which I have been addicted to since my divorce, in my search for the eloquent, sporty, and perfect partner. In our joint journey, a memory of a past love triangle arises. In a cinematic language that corresponds with Racheli's jewelry, we will examine the power of the sisterly bond, is it capable of creating a change in patterns, dealing with the secrets of the past and the choices of our lives?